Adobe illustrator cc classroom in a book lesson files free download free download.Get All Secret Content
Cover Illustration: Karan Singh, behance. Click the lesson file links to download them to your computer. However, you still need to follow the registration steps and answer the proof of purchase question before the Access Bonus Content link will appear under the product on your Registered Products tab. Adobe Authorized Training Centers.
Creating shapes using the Shape Builder tool. To delete or save the current Illustrator preferences file To restore saved preferences after completing the lessons.
Accessing the lesson files and Web Edition. Drawing a shape. Restoring default preferences. Starting the lesson. Other enhancements. Auto Spell-Check. Additional resources. Fonts used in this book. Installing the program. Web Edition. Lesson files. Placing an image in Illustrator. Getting to know the toolbar. Presenting your document. Switching workspaces. Introducing Adobe Illustrator.
Saving a workspace. Opening an Illustrator file. Working with panels. Working with brushes. Exploring the workspace. Working with symbols. Finding more tools.
Working with effects. Aligning artwork. Using Image Trace. Transforming artwork. Viewing artwork. Creating a nested group. Aligning objects to each other. Aligning to the artboard. Selecting in Outline mode. Editing the rectangles. Aligning to a key object. Selecting similar objects. Selecting with a marquee. Aligning anchor points. Rounding corners. Using the Selection tool. Creating rectangles. Working with basic shapes.
Creating a new document. Arranging objects. Grouping items. Working with groups. Distributing objects. Aligning objects. Selecting objects.
Cutting with the Scissors tool. Working with Draw Behind mode. Erasing in a straight line. Editing content drawn inside. Cutting in a straight line. Cutting with the Knife tool.
Using the Eraser tool. Editing paths and shapes. Working with drawing modes. Using the Width tool. Cleaning up traced artwork. Reshaping a path. Creating the trailer. Combining shapes. Outlining strokes. Placing artwork. Joining paths. Finishing up. Drawing lines. Drawing paths with the Pencil tool. Editing a path with the Curvature tool. Practice drawing a river path. Drawing paths with the Curvature tool. Drawing with the Pencil tool.
Creating with the Curvature tool. Distorting objects with effects. Creating dashed lines. Working with the bounding box. Editing the ruler origin. Reordering artboards. Using Puppet Warp. Reflecting objects. Working with rulers and guides. Transforming content. Rotating objects. Creating guides 6. Scaling objects. Renaming artboards Transforming with the Free Transform tool. Copying appearance attributes Converting between smooth points and corner points. Drawing a series of curves with the Pen tool.
Creating and saving a tint of a color. Working with the Anchor Point tool. Deleting and adding anchor points. Editing a nonglobal swatch. Creating a color group. Combining curves and straight lines. Working with Live Paint.
Creating artwork with the Pen tool. Creating a copy of a swatch. Saving a color as a swatch. Applying an existing color. Adding a spot color. Creating a custom color. Editing a global swatch. Exploring color modes. Editing paths and points. Converting colors. Drawing the swan. Working with color. Drawing a curve with the Pen tool Using Illustrator swatch libraries. Changing additional character formatting Reshaping text with a preset envelope warp.
Modifying text with the Touch Type tool. Changing paragraph formatting. Applying fonts to text in Illustrator. Reshaping type objects. Changing font family and font style. Resizing and reshaping type objects. Fixing missing fonts. Working with glyphs.
Converting between area type and point type. Adding type to the recipe card. Creating columns of text. Changing font color. Importing a plain-text file.
Activating Adobe Fonts. Working with Auto Sizing. Adding text at a point. Changing font size. Threading text. Adding area type. Formatting type. Wrapping text. Warping text. Adding transparency to gradients. Applying appearance attributes to a layer. Adjusting the radial gradient. Applying a radial gradient to artwork. Applying a linear gradient to a stroke. Applying a linear gradient to a fill. Reordering layers and content. Viewing layer content differently. Finding content in the Layers panel.
Working with blended objects. Moving content between layers. Editing a gradient on a stroke. Adjusting a linear gradient fill. Duplicating layer content.
Locking and hiding layers. Working with gradients. Creating layers and sublayers. Creating a clipping mask Editing layers and objects.
Creating new layers. Creating a sublayer. Understanding layers. Saving a gradient. Editing a gradient. Pasting layers. Adding multiple strokes and fills to text. Editing paths with the Paintbrush tool. Working with the Blob Brush tool. Applying an existing Art brush. Drawing with the Paintbrush tool. Editing the Pattern brush. Painting with a Bristle brush. Applying a Pattern brush. Creating a Pattern brush.
Creating your own pattern. Using Pattern brushes. Applying an existing pattern. Cleaning up the shapes. Editing an Art brush. Using Bristle brushes. Creating an Art brush. Using Calligraphic brushes. Types of brushes. Editing your pattern. Applying your pattern. Using Art brushes. Editing a brush. Creating patterns Removing a brush stroke. Creating and applying a graphic style Using default Illustrator symbol libraries Adding assets to a Creative Cloud library.
Applying a graphic style to a layer. Temporarily disabling effects to make edits Working with dynamic symbols. Applying an existing graphic style. Breaking a link to a symbol. Scaling strokes and effects.
Updating a graphic style. Working with 3D effects. Applying a Photoshop effect. Placing image files. Applying other effects. Creating a symbol. Editing a symbol. Editing an effect. Combining artwork. Applying an effect. Using graphic styles.
Using live effects. Masking an object with text. Applying a simple mask to an image. Creating an opacity mask. Editing a clipping path mask. Finding link information. Working with image links. Masking with a shape. Placing multiple images. Replacing an image.
Packaging a file. Masking images. Creating a PDF. Placing a Photoshop image with Show Import Options Editing an opacity mask. Whether you are a designer or a technical illustrator producing artwork for print publishing, an artist producing multimedia graphics, or a creator of web pages or online content, Adobe Illustrator offers you the tools you need to get professional-quality results.
The features and exercises in this book are based on Illustrator release. The lessons are designed so that you can learn at your own pace. You can follow the book from start to finish or do only the lessons that correspond to your interests and needs.
Each lesson concludes with a review section to quiz you on the main concepts covered. Make sure that you know how to use the mouse and standard menus and commands and also how to open, save, and close files. If you need to review these techniques, see the printed or online documentation for macOS or Windows.
You must purchase the Adobe Illustrator software separately. For complete instructions on installing the software, visit helpx. You must install Illustrator from Adobe Creative Cloud onto your hard disk. Follow the on-screen instructions. Fonts used in this book The Classroom in a Book lesson files use fonts that are part of the Adobe Portfolio plan included with your Creative Cloud subscription, and trial Creative Cloud members have access to a selection of fonts from Adobe for web and desktop use.
For more information about fonts and installation, see the Adobe Illustrator Read Me file on the web at helpx. Online Content Your purchase of this Classroom in a Book includes online materials provided by way of your Account page on adobepress. Web Edition The Web Edition is an online interactive version of the book providing an enhanced learning experience.
Click the Access Bonus Content link below the title of your product to proceed to the download page. Click the lesson file link s to download them to your computer. Click the Launch link to access the product. The preferences file controls how command settings appear on your screen when you open the Adobe Illustrator program.
Each time you quit Adobe Illustrator, the position of the panels and certain command settings are recorded in different preference files. If you want to restore the tools and settings to their original default settings, you can delete the current Adobe Illustrator Prefs file. You must restore the default preferences for Illustrator before you begin each lesson.
This ensures that the tools function and the defaults are set exactly as described in this book. When you have finished the book, you can restore your saved settings, if you like. To delete or save the current Illustrator preferences file The preferences file is created after you quit the program the first time and is updated thereafter.
After launching Illustrator, you can follow these steps: 1 Exit Adobe Illustrator. You will most likely need to enable Windows to show hidden files and folders. For instructions, refer to your Windows documentation. To access this folder, in the Finder press the Option key, and choose Library from the Go menu in the Finder.
For more information, refer to the Illustrator help: helpx. The preferences file is created after you quit the program the first time and is updated thereafter. To restore saved preferences after completing the lessons 1 Exit Adobe Illustrator. Find the original preferences file that you saved and move it to the Adobe Illustrator 24 or other version number Settings folder.
Only the commands and options used in the lessons are explained in this book. For comprehensive information about program features and tutorials, please refer to these resources: Adobe Illustrator Tutorials: helpx. Adobe Community: community. Adobe Create Magazine: create. Resources for educators: www. Find solutions for education at all levels, including free curricula that can be used to prepare for the Adobe Certified Associate exams. Adobe Illustrator product home page: See www.
Adobe Add-ons: exchange. Enhanced way of simplifying paths If you have complex paths in your artwork and want to more easily edit them, use the Simplify feature to reduce the number of anchor points. Streamlined options appear for simplifying a path. You can click the ellipses Auto Spelling Check Illustrator now includes an automatic way of checking spelling errors.
With the Auto Spell Check feature enabled, spelling will be automatically verified as you type and all the misspelled words will be highlighted in the document. In case the auto-recovery is not possible, Illustrator now shows an effective messaging that clearly states the file error s and troubleshooting steps for you to try. You will be notified when the export is complete. Adobe is committed to providing the best tools possible for your publishing needs. We hope you enjoy working with Illustrator release as much as we do.
This lesson will take about 45 minutes to complete. To get the lesson files used in this chapter, download them from the web page for this book at www. In this case, you will print the artwork you create as a postcard, so you will choose a preset from the Print presets to start. In the Save As dialog box, leave the name as BoutiqueArt. Artboards are like pages in Adobe InDesign. A checkmark next to the Smart Guides menu item means they are on. Move the pointer into the upper-left part of the artboard see the red X in the figure.
Press and drag down and to the right. When the gray measurement label next to the pointer shows a width of approximately 10 inches and a height of 7 inches, release the mouse button. The shape will be selected. When the pointer changes , drag it into the approximate center of the artboard.
When the gray measurement label shows a value of approximately 0. Shapes you create can have a stroke border and can also be filled with a color. You can apply and edit swatches, which are the colors that come with each document by default, and create your own colors.
In the panel that opens, make sure that the Swatches option is selected at the top to show the default saved colors, called swatches. While you can use the default swatches, you can also create your own colors and save them as swatches to reuse them later.
Click OK to save the change you made to the swatch. You can press the Escape key to do this. A stroke is the outline border of artwork such as shapes and paths. There are a lot of appearance properties you can change for a stroke, including width, color, dashes, and more. In the panel that appears, click the Color Mixer button at the top to create a custom color. Click the New Swatch button at the bottom of the panel to save it as a swatch. The blue color should now be showing in the Swatches panel as a saved swatch.
Type Background, and press Return or Enter to change the layer name. Currently, the rectangle you created is on this layer. Press Return or Enter to change the layer name. By creating multiple layers in your artwork, you can control how overlapping objects are displayed. In the document, artwork on the Content layer will be on top of the artwork on the Background layer since the Content layer is above the Background layer in the Layers panel. Click the Fill color box. In the panel that appears, make sure the Swatches button is selected at the top of the panel, and click to select the blue swatch you created in a previous step.
Press the Escape key to hide the panel. Press Return or Enter to accept the size change. Click the arrow to the left of the Montserrat font name to show the font styles circled in the following figure. It may take some time for the font to be activated. Click Montserrat Light to apply it. Press Return or Enter to accept the change. Click to make the text capitals. The Shape Builder tool is an interactive tool for creating complex shapes by merging and removing simpler shapes.
When a menu of tools appears, release the mouse button. Select the Ellipse tool in the menu that appears. See the figure for roughly how big to make it. Press Return or Enter to hide the panel. Drag to create a small rectangle on top of the ellipse. See the first part of the following figure. A temporary vertical magenta guide may appear when they are aligned.
The goal is to understand how to create and edit the shapes. They come in different shapes and sizes! Move the pointer to roughly where you see the red X in the middle part of the following figure. Press the Shift key, and drag across the two shapes to combine them.
Release the mouse button and then the key. Click and release to start drawing a shape see the first part of the following figure. Move the pointer away see the second part of the figure. Move the pointer away and notice the path curving in different ways as you move it. The anchor points you add control the shape of the path. When the pointer shows a small circle next to it , click to close the path, creating a shape.
Move the pointer over the point, and double-click to make it a corner as well. You now have all of the artwork you need to make the acorn. In Illustrator, there are a number of ways to move, rotate, skew, scale, and more—in other words there are many ways of transforming artwork so you can get it just the way you want.
Click the top of the acorn shape you created in a previous section. Drag across the bottom of the artwork in a U shape to erase part of it. After releasing the mouse button, you will see the resulting shape. When it looks good, release the mouse button and then the key. You can use the Shape Builder tool to fix that. Move the pointer where you see the red X in the following figure.
Drag across the top shapes to combine them. Make sure not to drag into the bottom shape. Symbols are useful because they can help you save time and can save on file size as well.
You will now create a symbol from the acorn artwork. Click the New Symbol button at the bottom of the panel to save the selected artwork as a symbol. If a warning dialog box appears, click OK. The artwork now appears as a saved symbol in the Symbols panel, and the acorn on the artboard you used to create the symbol is now a symbol instance.
Also, the figure shows dragging the third symbol onto the artboard. When the rotate arrows appear, drag to rotate the acorn. A Quick Tour of Adobe Illustrator Release 7 Click to select one of the other acorns and rotate it in the opposite direction. In the dialog box that appears, click OK. You can now edit the original acorn artwork and any changes you make will show in the three instances you dragged from the Symbols panel. After typing in the last value, press Return or Enter to make the change and also close the panel.
Click in the Visibility column to the left of the Background layer name to show the rectangle on the Background layer. An arrow is pointing to the button in the previous figure. You can drag the Gradient panel by the title bar at the top to move it around. Click the panel menu icon , and choose CMYK. Press Return or Enter after typing in the last value to make the change and hide the panel. Click the X at the top of the Gradient panel to close it. That way, you can focus on other artwork.
Click the Content layer name so that any new artwork you add will be on the Content layer and above the content on the Background layer. Make sure that the Link option in the dialog box is not selected, and click Place. Click to place the hand-lettering image. It was created by Danielle Fritz www. To learn more about Adobe Capture, visit www. With the Swatches option selected at the top of the panel, click the blue color you created previously to apply it.
The Shift key constrains the proportions as you scale. When you see a width of approximately 8. You can apply brush strokes to existing paths, or you can use the Paintbrush tool to draw a path and apply a brush stroke simultaneously. If you find that you only drag one, simply drag the other artwork into place. Click a lighter red path in the tail of the squirrel to select a group of paths. You can see what to select in the following figure.
Move the pointer over a brush in the list, and you will see its name in a tool tip. The brush artwork is scaled on the path based on the stroke border weight.
Any content you apply an alignment to will now align to the edges of the artboard. Presenting your document Everything but the active artboard is hidden from view. The area around the artboard is replaced by a solid color, usually black. If there were more artboards like multiple pages in Adobe InDesign , you could press the right or left arrow key to navigate between them. To turn it off, press the Escape key. The workspace consists of the Application bar, menus, toolbar, Properties panel, Document window, and other default panels.
Vector graphics are made up of lines and curves defined by mathematical objects called vectors. You can freely move or modify resize vector graphics without losing detail or clarity because they are resolution independent. An example of vector artwork. Editing vector artwork. Vector graphics maintain crisp edges when they are resized, printed to a PostScript printer, saved in a PDF file, or imported into a vector-based graphics application.
As a result, vector graphics are the best choice for artwork, such as logos, that will be used at various sizes and in various output media. Illustrator also allows you to incorporate bitmap images—technically called raster images—that are made up of a rectangular grid of picture elements pixels.
Each pixel is assigned a specific location and color value. Pictures you take on your phone camera are considered raster images. Raster images can be created and edited in a program like Adobe Photoshop. This is something you will do at the start of each lesson in this book to ensure that the tools function and the defaults are set exactly as described in this lesson. With Illustrator open, you will see the Home screen showing resources for Illustrator, and more. The Reset Essentials command ensures that the workspace, which includes all of the tools and panels, is set to the default settings.
This command fits the whole artboard into the Document window so you can see all of it. When Illustrator is fully launched and a file is open, the menus, Application bar, toolbar, and panels appear on the screen.
The arrangement of these elements is called a workspace. When you first start Illustrator, you see the default workspace, which you can customize for the tasks you perform.
You can create and save multiple workspaces—one for editing and another for viewing, for example—and switch between them as you work. Application bar B. Panels C. Toolbar D. Document window E. Status bar Below, the areas of the default workspace are described: A.
The Application bar across the top by default contains application controls, the Workspace Switcher, and Search. On Windows, the main menu bar items appear inline with the Application bar—see the following figure. Panels help you monitor and modify your work. Certain panels are displayed by default in the panel dock on the right side of the workspace, and you can display any panel by choosing it from the Window menu.
The toolbar contains tools for creating and editing images, artwork, page elements, and more. Related tools are grouped together. The Status bar appears at the lower-left edge of the Document window. Getting to Know the Work Area Getting to know the toolbar The toolbar on the left side of the workspace contains tools for selecting, drawing and painting, editing, and viewing, as well as the Fill and Stroke boxes, drawing modes, and screen modes.
Notice that the name Selection Tool and keyboard shortcut V are displayed in a tool tip. Press and hold until a tools menu appears, then release the mouse button. Click the Group Selection tool in the menu to select it.
Any tool in the toolbar that displays a small triangle contains additional tools that can be selected in this way. Click the arrow at the right edge of the hidden tools panel to separate the tools from the toolbar as a separate floating panel of tools, so you can access them easily.
Each click selects the next hidden tool in the tool sequence. The tools return to the toolbar. In the figures in this lesson, the toolbar is a single column by default. The toolbar is now floating in the workspace. Getting to Know the Work Area 8 Drag the toolbar to the left side of the Application window using either the solid bar at the top of the toolbar or the dashed line just below the solid bar. When the pointer reaches the left edge, a translucent blue border, called the drop zone, appears.
Release the mouse button to dock the toolbar neatly into the side of the workspace. Finding more tools In Illustrator, the default set of tools that appears in the toolbar does not include every available tool. A panel appears that shows all of the available tools. You can drag any of the remaining tools into the toolbar, where you can then select and use them. The tool is highlighted in the toolbar. If you hover the pointer over a tool like the Ellipse tool, which is nested within the Rectangle tool, the Rectangle tool will highlight, showing you where it is.
To add it to the toolbar, drag the Shaper tool onto the Rectangle tool. The Shaper tool will now be in the toolbar until you remove it or reset the toolbar. Later in the lessons, you will add tools to learn more about them. Drag the Shaper tool onto the panel. When a minus shows next to the pointer , release the mouse to remove the Shaper tool from the toolbar. The Properties panel displays properties for the active document when nothing is selected.
It also displays appearance properties for content you select. With nothing selected in the document, the Properties panel shows the current document properties as well as program preferences.
You can change the size, position, color, and much more for the selected artwork. Words that are underlined in the Properties panel will show more options when you click them. The Properties panel once again shows document properties and program preferences when nothing is selected. Working with panels Panels like the Properties panel give you quick access to many of the tools and options that make modifying artwork easier. All of the panels available in Illustrator are listed alphabetically in the Window menu.
A checkmark to the left of the panel name indicates that the panel is already open and in front of other panels in its panel group. If you choose a panel name that is already selected in the Window menu, the panel and its group either close or collapse. The Layers panel is grouped with two other panels—the Properties panel and the Libraries panel. They are all part of the same panel group.
Getting to Know the Work Area This hides the panel names and collapses the panel dock to icons only. To open a panel that is collapsed as an icon, you can click a panel icon. Choose Align from the Window menu to open the Align panel and the other panels grouped with it by default. Panels you open that do not appear in the default workspace are free-floating.
That means they are not docked and can be moved around. You can dock freefloating panels on the right or left side of the workspace. When a blue highlight appears around the entire panel dock, release the mouse button to dock the panel in the group. Aside from adding panels to the dock on the right, you can also remove them.
Scaling the Illustrator interface When you launch Illustrator, it identifies your screen resolution and adjusts the application scale factor accordingly. You can scale the user interface of Illustrator based on your screen resolution to make the tools, text, and other UI elements easier to see. As you make changes, like opening and closing panels and changing their position among other things , you can save that particular arrangement as a workspace—and switch between them while you work.
Illustrator comes with a host of other workspaces that are tailored to a variety of tasks. Similar to the Properties panel, it offers quick access to options, commands, and other panels relevant to the currently selected content.
In workspaces, you can create groups of panels that are stacked on top of others. That way, a lot more panels are showing. When you choose a previous workspace to switch to, it remembers any changes you made, like selecting the Libraries panel. You can also arrange the panels the way you like and save your own custom workspace. In the New Workspace dialog box, name the workspace with a new, unused name.
When a blue highlight appears around the entire panel dock, release the mouse button to dock the Artboards panel and add it to the existing panel group. Select the workspace name, and click the Delete Workspace button. The name of the workspace could be anything, as long as it makes sense to you. Using panel and context menus Most panels in Illustrator have more options available in a panel menu, found by clicking the panel menu icon or in the upper-right corner of a panel.
These additional options can be used to change the panel display, add or change panel content, and more. Click the panel menu icon in the upperright corner, and choose Small List View from the panel menu.
Because the options in the panel menu apply only to the active panel, only the Swatches panel view is affected. In addition to the panel menus, context-sensitive menus display commands relevant to the active tool, selection, or panel.
Usually the commands in a context menu are available in another part of the workspace, but using a context menu can save you time. Then, right-click to show a context menu with specific options.
Adjusting the brightness of the user interface As with Adobe InDesign and Adobe Photoshop, Illustrator supports a brightness adjustment for the application user interface. This is a program-wide preference setting that allows you to choose a brightness setting from four preset levels.
The magnification level, which can range from 3. Using view commands View commands are found in the View menu and are an easy way to enlarge or reduce the view of artwork. Using the viewing tools and commands affects only the display of the artwork, not the actual size of the artwork. Each time you choose a Zoom option, the view of the artwork is resized to the closest preset zoom level.
The preset zoom levels appear in a menu in the lower-left corner of the Document window, identified by a down arrow next to a percentage. Using the Zoom tool In addition to the View menu options, you can use the Zoom tool and reduce the view of artwork to predefined magnification levels.
The artwork is displayed at a higher magnification, depending on your screen resolution. Notice that where you clicked is now in the center of the Document window. A minus sign — appears at the center of the Zoom tool pointer. With the Option or Alt key pressed, click the artwork twice to reduce the view of the artwork.
Using the Zoom tool, you can also drag in the document to zoom in and out. The Zoom tool is used frequently during the editing process to enlarge and reduce the view of artwork. Because of this, Illustrator allows you to select the Zoom tool using the keyboard at any time without first deselecting any other tool you may be using.
The zooming is animated. Drag from right to left to zoom out. If you decide to use these shortcuts in Illustrator, you may want to turn off or change those keyboard shortcuts in macOS System Preferences. GPU-accelerated computing offers faster performance across a broad range of design, animation, and video applications. This feature is available on compatible macOS and Windows computers. To learn more about GPU Performance, visit helpx.
Panning in a document In Illustrator, you can use the Hand tool to pan to different areas of a document. Using the Hand tool allows you to push the document around much like you would a piece of paper on your desk. This can be a useful way to move around in a document with a lot of artboards or when you are zoomed in.
As you drag, the artboard and artwork on it moves with the hand. As with the Zoom tool , you can select the Hand tool with a keyboard shortcut without first deselecting the active tool. Hold down the spacebar on the keyboard to temporarily select the Hand tool, and then drag to bring the artwork back into the center of your view. Release the spacebar. Getting to Know the Work Area Viewing artwork When you open a file, it is automatically displayed in Preview mode, which shows how the artwork will print.
Illustrator offers other ways of viewing your artwork, such as outlined and rasterized. This is called Outline mode. Only the outlines of objects are displayed. You can use this view to find and select objects that might not be visible in Preview mode. Overprinting allows the color of artwork to print on top of the color of artwork underneath. For this example, the arms of the person in the boat are made semi-transparent or seethrough when Overprint Preview is on.
Pixel preview can be used to see how the artwork will look when it is rasterized and viewed onscreen in a web browser. An arrow is pointing to it in the figure. You can use artboards to crop areas for printing or placement purposes.
On a Mac or PC, go to www. If you do not have a Peachpit. Click the lesson file links to download them to your computer. Materials: Adobe Illustrator CC Classroom in a Book release In order to work through the projects in this book, you will need to download the lesson files from peachpit. Modern Mac and Windows systems are set up to open Zip archives by simply double-clicking. Then enter the new name for your folder. Type the new name and drag the folder to the location you want to use.
Drag the unzipped Lessons folders Lesson01, Lesson02, etc. When you begin each lesson, navigate to the folder with that lesson number to access all the assets you need to complete the lesson. Vaqas Iqbal. Views 2, Save 8. See all 1 pieces included. Get this free resource.
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